thinks about the object for its function, so that it is as durable as possible over time. Simple and minimalist so that it blends into any universe, with a dual function if possible. This avoids monotony and allows the object to be brought to life through its multiple facets. She then puts it on paper and then creates a prototype, sometimes in miniature, sometimes in real size directly.

The potter must work with the 4 elements: the earth, an essential component of objects; the management of water and air for the consistency of the earth; the fire to make the ceramic object. In detail, it is a question of dosing the right weight, kneading the earth, shaping it while throwing, waiting for the right consistency to throw the piece, firing it, unbake, glaze, bake, unbake, observe. The main stages of manufacturing are in reality multiple and mainly combine to patience. We tend to underestimate the work of the artisan because there is a lot of handling of the object before it becomes ceramic. There is also always a loss due to the fragility of the earth, which requires great delicacy.